My actual thoughts on whatever I've got playing — fantasy, sci-fi, thrillers, LitRPG, doesn't matter. If it's good enough to survive a long drive, it ends up here.
This is mostly just a fun hobby — somewhere to keep track of what I've actually finished so I stop losing track of my own damn books. No schedule, no rubric, nobody paying me.
"GOD DAMNIT DONUT!" — Carl, Dungeon Crawler Carl
Finished the whole damn series. Slightly let down by the latest book, but book 2 is still the best of the bunch — and I got to meet Matt Dinniman and Jeff Hays at a signing.
A shitty narrator can kill a great book. A great one can save a mediocre one. Jeff Hays sits at the top, and Sanderson's two-narrator system deserves way more credit than it gets.
The magic systems are insane as hell, the books are massive, and audiobooks are the only reason I've actually finished any of them.
Right up there with Mistborn, and the highest score on this site outside of Dungeon Crawler Carl. Massive books, and audio makes that a feature.
The first big series I ever read, and the reason I found Sanderson at all. Amazing, and genuinely too long and redundant in places.
The world and the power system are fantastic. Up there with Dungeon Crawler Carl, just a lot more serious about it — and it can get confusing.
Court Gentry against impossible odds, over and over. My favorite action series — I've used the handle dahgreyman in games for years because of it.
Rothfuss makes you believe every word of Kvothe's own legend. Stupid good prose, a slow burn that earns every hour, and Nick Podehl carrying the whole thing.
A dead billionaire turns the planet into 80s-trivia egg hunters. Silly setup, real stakes, and Wil Wheaton was born to narrate it.
Dark fantasy, western and horror mashed together, nowhere near my usual lane, and it stuck with me anyway. Roland's quest feels bigger than life itself.
A superhero college story about the kids who can't control their powers, and the secret shot they get at fixing it. Academy progression with capes instead of stat sheets.
Nobody dies anymore, so somebody has to do it on purpose. A genuinely fucked-up premise and a world that's perfect on the surface and ice-cold underneath.
Sanderson's heist-driven trilogy might be the most fun the Cosmere's been for me yet. Allomancy is the best damn magic system I've heard, and the Hero of Ages ending is one of the best trilogy closers around.
A fast, self-contained Cosmere standalone about a guy on the run from a sun that's actively trying to kill him. Doesn't hit Mistborn or Stormlight highs, but makes a solid palate cleanser between bigger series.
A weak-as-hell-sounding ability, a brutal post-apocalyptic world, and a growth system that makes you question what Freddy Stern is turning into with every fight he wins.
A frozen-ass apocalypse, a living-machine underground maze, and scavenged tech treated like magic — great setting, just didn't hook me on a character level.
Academy training, tournament arcs, and grounded power growth that's actually earned, not handed out. If Victor of Tucson worked for you, so will this.
He Who Fights with Monsters, The Primal Hunter, Cradle, and a few more on my list — plus why I want to branch into horror and action next before I get stuck in a rut.
Loved the main character, the progression, the fights. Robb Moreira's narration fucking nails it. Already excited for the next book.